Last year in Tokyo, I interviewed Takashi Murakami on the day his exhibit, 500 Arhats, was to be revealed to the public. And when I say interviewed, I mean it in the sense that I threw out the list prepared questions and flowed into a present moment conversation between me, him, and his translator (she’s dope by the way.)
Takashi is a busy man after all. It was his first exhibit in Tokyo in over 10 years, and as we were walking around the Mori Art museum, he was being greeted left and right by executives and press.